Baroque Reason
The Aesthetics of Modernity
January 1994 | 192 pages | SAGE Publications Ltd
In this fascinating book, Christine Buci-Glucksmann explores the condition of modernity - alienation, melancholy, nostalgia - through the works of a number of writers and philosophers, including the social and aesthetic philosophy of Walter Benjamin.
The author examines Baudelaire's haunting image of the city and its profound effect on conceptions of modernity. She goes on to consider how such influential figures as Nietzsche, Adorno, Musil, Barthes and Lacan constitute a baroque paradigm, united by their allegorical style, their conflation of aesthetics with ethics and their subject matter - death, catastrophe, sexuality, myth, the female. In her exegesis of these fundamental themes Buci-Glucksmann proposes an epistemology beyond postmodernism.
This extraordinary exposition of a baroque reason for modernity sheds new light on a number of themes central to modern social theory.
Bryan S Turner
Introduction
PART ONE: AN ARCHAEOLOGY OF MODERNITY: ANGELUS NOVUS
Angelic Space
Baroque Space
Baudelairean Space
The Space of Writing
PART TWO: THE UTOPIA OF THE FEMININE: BENJAMIN'S TRAJECTORY 2
Catastrophist Utopia
Anthropological Utopia, or The 'Heroines' of Modernity
Transgressive Utopia
Appendix
PART THREE: BAROQUE REASON
An Aesthetics of Otherness
The Stage of the Modern and the Look of Medusa